Big Beat

Let me start off this brief review of It's Blitz!, the new record by downtown rock-aesthetes Yeah Yeah Yeah's, by saying that its album artwork is the most memorable I've seen in ages, rivaling even Spiritualized's stunning Ladies and Gentlemen We are Floating in Space and Fantomas' Delirium Cordia. It is a bit of a rarity nowadays for musicians, or, rather, the art departments of the record labels for which bands aim to move "units," to apply as much thought to the packaging of an album as much as its to the songs therein. A hearty bravissimo!, then, to artist-photographer Urs Fischer for having the technical capacity and artistic vision necessary to capture the temperament of a record that refuses to be held down, even by its own limitations.

The first few measures of the album's opener, "Zero," will tell long-time listeners that Yeah Yeah Yeah's find themselves in a period of transition, growth, and, dare I say, "maturity" (if maturity means abandoning a formula that was already successful, deliriously so). Gone are the diamond-cut guitar lines of the band's debut, replaced with the decidedly more subtle textures of keyboards usually reserved for dance music, the song's propulsive rhythm framed around Karen O.'s distinctive cooing. And so it goes until midway through the album, where there's something of a shift in tenor, as though the band decided to abandon its experiment and embrace once again the chug-chug-chug of Marshall-driven rock music.

In this context, Yeah Yeah Yeah's, the 2.0 version are, in essence, a dance band for listeners, the hip and uncool alike, who lift hairbrushes to their mouths and gyrate in bedrooms while no one is around, because such is the fantasy that dance music generates. This change in approach can be a little jarring, given that this is a band that once opened for the Jon Spencer Blues Explosion (remember them?) at the Knitting Factory, which once relied on dirty aggression and the sort of detachment which marked one's membership into the privileged circles of indie rock fanatics. Ah, but if only things were so simple: the most effective, kinetic song on this record is "Dull Life," a track that relies on Nick Zinner's tunefully aware guitar; it rocks, plain and simple, which is a reminder why YYY's were so popular in the first place.

Here's to hoping that the band doesn't entirely turn its back on its substantive strengths for the sake of creating a mood, a tone. Incidentally, the Yeah Yeah Yeah's are the musical guest on "Saturday Night Live" tonight.

HOT WAX:

"Dull Life"

"Softshock"